medical school and residency), alumni career choices, list of orthopaedic trauma faculty, description of the application process, program director’s and coordinator’s contact information, salary, and a program description. national and societal conferences), teaching responsibilities, list of current fellows, list of previous fellows, previous education of current fellows (i.e. grand rounds), conferences or meetings sponsored by program (i.e. Individual program web sites were objectively evaluated for the inclusion of any information pertaining to the following 21 criteria: research opportunities, research requirements, current or past research performed by fellows, rotation schedules, on-call expectations, journal clubs, case descriptions (case logs), intra-institutional meetings (i.e. 6, 9, 11, 14 The list utilized herein is a culmination of the criteria used in the original list and subsequent web site reviews. 12 These criteria have been refined and expanded by several subsequent web site reviews into more specific data points, allowing for tailored and more objective data collection. The criteria chosen to evaluate web site content was originally established by a program director and fellowship applicant in the sports medicine match. Google® search phrases were “program name + orthopaedic trauma fellowship” and “program name + orthopaedic surgery + trauma + fellowship.” Only the first page of search results was viewed. 15, 16 A hyperlink was determined to be functional if it routed the web browser to a web page where fellowship information could be accessed within two clicks. The accessibility of each program’s web site was assessed using the following criteria: the presence of a direct hyperlink in the OTA Fellowship Directory to the program’s web site, functionality of this link, and web site searchability using Google®. A followup analysis was performed in August 2017. Initial data collection and web searches were performed on January 27, 2017. This study was exempt from institutional review board (IRB) approval. The goal of the study herein was to determine the accessibility of orthopaedic trauma fellowship web sites and objectively evaluate their content. 6, 11, 14 To the best of our knowledge, no such analysis has been performed for the web sites of Orthopaedic Trauma Association (OTA) accredited trauma fellowships. Several orthopaedic subspecialties web sites have been analyzed based on their accessibility and content. 9 Both applicants and programs could benefit from accessible and quality web sites that help limit unnecessary interview expenditures and optimize a fellow-program match that is conducive to the satisfaction of both parties’ expectations and objectives. 8, 10 A recent survey of orthopaedic fellowship applicants found that information pertaining to operative experience, fellow autonomy, program prestige, and program faculty are valued most by applicants when forming their final rank list. Alternatively, adequate online information may allow applicants to apply more selectively early in the match process, decreasing interview costs for both themselves and programs. 8 Therefore, fellowship programs may attract more applications by providing accessible and comprehensive online information that is important to applicants. Specific to orthopaedics, some hand fellowship applicants valued a program’s web site over the opinions of their mentors and family. 1, 5 Web-based information has been specifically reported to influence the decisions of fellowship applicants. Online information, as a first line of information, can influence which programs they look more heavily into, thus potentially affecting their decision to apply to certain programs and how they compose their rank list. Postgraduate medical trainees across all specialties utilize the Internet to gather information and compare training programs. Medical School and Residency of Current Fellows
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Mechanically, we started focusing on making the horror game equivalent of Super Mario: short levels, simple gameplay, repeated mechanics, easy to understand goals and an experience well suited for bite-sized chunks of entertainment. There was also a major emphasis on coming up with a design that would be easy to pitch – we had already had enough financial problems and were set on doing something we could get stable funding for. Similarities to our earlier games stopped there, though, and focus was instead turned on making a simpler and more casual experience. An early decision was to do another horror game, as it was a genre we felt confident in. While Requiem was in full production we started brainstorming ideas for the next big project. …We started focusing on making the horror game equivalent of Super Mario… We were pretty fed up with creating Penumbra games though, and decided to make the expansion, subtitled Requiem, into a more puzzle-oriented experience instead. This was a great opportunity and a way to keep the entire team occupied until the basic tech got more mature. At this point Paradox approached us and wondered if we were keen on doing some sort of expansion for Black Plague. We had some basic technology working, but it was still far too much in its infancy to let the non-tech part of the team work. The release of Black Plague came and we were not nearly ready enough to start on something completely new. We did not have any solid ideas on what to do next, but we were sure of one thing: The process of making our previous games had just been too hard for a small company like us and we were set on doing things a lot more simply in the future. Because of this, we started doing the basic tech work for what was to become Amnesia several months before Black Plague was done. We knew that in order to keep the company stable we had to make sure our entire work force (four of us at the time) would be be able to start working on a new project as soon as Black Plague was completed. After various financial problems, Paradox Interactive had stepped in to provide the funds needed to complete the game. The story of Amnesia: The Dark Descent starts just as we were hard at work with Penumbra: Black Plague, a project that had been close to doom only a few months before. Most projects look for help with testing, documentation, graphics, etc., as well. This means that the source code is available to be studied, modified, and distributed. This game takes heavy inspiration from the Arthur Yahtzee and Rob Blanc trilogies.Ī preview release for the next title in the series, Part XIII, is available from the Piga Software website. Once this is accomplished he must escape the mansion. After gaining access to the main hall with the help of a disgruntled servant, Alexei must search out the mansion and find out the location of the owner's vault. You take the role of Alexei Volkov, master criminal, who is intent on robbing the house of a cruel and ruthless businessman. It is the first Piga Software program to use the Gambas Adventure Engine and is also the first Piga Software game released for GNU/Linux and other POSIX systems. Most projects look for help with testing, documentation, graphics, etc., as well.Īlexei: Part IX is a free software graphical adventure game originally released by Piga Software on May 19, 2009. GTK+, SDL, and the Gambas Runtime Environment.Īlexei: Part IX is a free game. It is written in the C++ and Lua programming languages using the SDL library. Each section is released when it is completely finished. Each Allacrost release will contain a new chapter of the story. Once a new module is released, players can download it and install it, which will make more content available for the player to continue the game from where they last saved. The game will be released in modules, rather than waiting until the entire game is finished to make a release. In Hero of Allacrost, the player will explore rich environments, solve challenging dungeon puzzles, and fight strategic battles in an active-time based system. Hero of Allacrost is a single player 2D role-playing game that shares similar appearance and gameplay with classic console RPGs. The team's official description of the game is as follows: Hero of Allacrost, or simply Allacrost, is a 2D single-player RPG licensed under the GNU General Public License and was founded by Tyler Olsen in June 2004. This article has reached Featured Article status, which means that it has been recognized as one of the best articles on Libregamewiki. The collection is available in English and Italian. It is one of the first notable Gambas games, with exceptions being code examples such as recreations of Snake, Robotfindskitten, and other small efforts. Most projects look for help with testing, documentation, graphics, etc., as well.Ĭomisat Games Collection is a collection of free software games written in Gambas. Qt, SDL, and the Gambas Runtime Environment.Ĭomisat Games Collection is a free game. Snake, Hangman, Memory, Tetris, Board game The media and the source code are both licensed under the GPL. The latest release is 265 released on February 25 th, 2008. It is written in the C and Lua programming language using the SDL library. Players can upload code at any moment to update their code or fix bugs while the game is running in realtime. The game is client/server based and is playable over the internet. You control your creatures using the Lua programming language and let them compete for food and survival against other players. Infon Battle Arena is a real-time multiplayer programming game written by Florian Wesch. These satellites will form Tranche 1 of a Defense Department “Transport Layer” - a space-based mesh network for reliably transmitting data from sensors to end users.įor 60 years, the communications satellite industry has developed and leveraged innovative technologies to repeatedly extend the reach, expand the capacity and increase the reliability of terrestrial communications networks. Department of Defense’s Space Development Agency issued an August request for proposals for the development and production of 144 LEO communications satellites. Given the LEO communications satellite industry’s dramatic manufacturing and launch efficiency advances in deploying unprecedented numbers of small satellites, and the inherent flexibility, responsiveness and resilience of LEO megaconstellations, the U.S. This downturn in GEO awards began in 2015, before which the average annual GEO award rate during 2012-2014 was 26 satellites. As of the end of September, only six GEO awards had been made: two to Airbus Defense and Space, two micro-GEOs (each with less than one-tenth the mass and capacity of full-sized GEOs) to San Francisco-based Astranis and two digital radio broadcast satellites to Colorado-based Maxar Technologies (one to replace a predecessor that failed in orbit in December 2020 before it could be placed in service). The specter of LEO megaconstellations’ impending growth, together with ceaseless expansion of terrestrial broadband networks’ reach and capacity, undoubtedly explains, in part, commercial GEO broadband satellite system operators’ continued hesitance to add fleet capacity. As of mid-November, Starlink reportedly had 140,000 users across 20 countries. The total numbers of LEO broadband satellites planned, approved and under development by SpaceX Starlink (42,000), OneWeb (7,088), Amazon Kuiper (3,236), China GW (12,992), Telesat Lightspeed (298) and Inmarsat Orchestra (150-175) for deployment before the end of this decade ensure this. The predominance of these megaconstellations is unlikely to end soon. This easily eclipses the 2.7 Tbps aggregate throughput capacity of the 400 GEO communications satellites in orbit. Even if this gross capacity were derated by 75% to reflect the percentage of Earth’s surface covered by water or in remote regions and reduced another 66% to conservatively account for LEO satellites without access to an uncongested ground station or optical intersatellite link, the net aggregate throughput capacity of these LEO megaconstellations was to conservatively exceed 3 Tbps by year’s end. Indeed, SpaceX Starlink and OneWeb alone were conservatively expected to have launched 1,016 and 316 LEO satellites by the end of the year, bringing their megaconstellation totals to 1,969 and 420 satellites, respectively, with a total gross aggregate capacity of more than 36 terabits per second. The year was the first in which the aggregate throughput capacity of all operational low-Earth orbit communications satellites eclipsed that of all geosynchronous Earth orbit communications satellites. The Communications Systems Technical Committee is working to advance communications systems research and applications. Information Systems Low-Earth orbit megaconstellations reach record capacity By Tom Butash |December 2021 Other popular songs by Waka Flocka Flame includes Power Of My Pen, DuFlocka Rant Intro, Traffikin, Game On, Turn Up, and others. Roscoe Dash & Wale) is unlikely to be acoustic. Around 4% of this song contains words that are or almost sound spoken. The energy is more intense than most songs. Roscoe Dash & Wale) is good for dancing along with its sad mood. The key is in C♯ Major in the tempo of 132 BPM and set to the volume of -6 dB. Roscoe Dash & Wale) is a song recorded by and features Waka Flocka Flame for their album titled Flockaveli. Have you tried searching for other topics? Some examples of topics searched by other users include two guys talk girls, my life, the news company aol disney time warney, brotherhood, and the apostles. 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